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Production-level 16mm lens As the fourth major manufacturer to enter the market for small, mirrorless digital cameras with interchangeable lenses, Sony had to make a big impression. We think they'll do just that with the new Sony NEX-5 and NEX-3, two cameras they're calling "alpha compact interchangeable lens digital cameras. The Sony NEX-5 delivers that better than any model so Sony NEX-5R Digital Camera SEL30M35V2D Lens, and does it with style and a sturdy build. Easily the biggest news, though, is that the Sony NEX series is the first interchangeable lens digital camera system designed to tackle continuous autofocus and exposure adjustment while recording video, where all the components, bodies and lenses, support the feature.

Panasonic's GH1 was the first to take on this challenge, but only Panasonic's HD lenses support these advanced features, not every Micro Four Thirds lens. Video is indeed the one major area, aside from size, where the two new cameras differ: Several hot features were brought over from recent Alphas and Cyber-shot digital cameras, including Sweep Panorama, Auto High-Dynamic Range shooting, Handheld Twilight, and Anti-motion-blur modes, each of which strategically combine and align several images into one seamless one.

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It's pretty impressive stuff. As if that weren't enough, Sony's also announcing an upcoming upgrade even before the cameras ship!

The surprise is that the super-slim LCD tilts up 80 degrees and down 45 degrees for easy viewing. With TruBlack technology borrowed from Sony NEX-5R Digital Camera SEL30M35V2D Lens picture frames, shooting in or out of doors is a pretty good experience. Though by name the new cameras are Alphas, they no longer use the Alpha mount; instead Sony has christened a new E-mount, for which two lenses will ship right away, both as kit lenses.

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Both have a beautiful aluminum barrel in brushed gunmetal gray. An adapter is available for mounting Alpha lenses, but autofocus will be disabled with the NEX cameras.

Two converters will also ship for use with the 16mm lens: Seems Sony engineers had the same idea already, likely even before we saw the concept "wood block" models. It also evokes the memory of the Sony F through the F, unusual looking cameras produced from to Instead they look more like a midsize digital camera with a big lens grafted on. Bordering on the absurd, especially with the mm lens Sony NEX-5R Digital Camera SEL30M35V2D Lens, the Sony NEX-5 manages to pull off this seeming overemphasis on optics if only because of the lens's shiny aluminum barrel, whose efficient shape speaks of precision.

Sony NEX-5 Review

After several years of relative sameness among digital camera designs, it's refreshing to see something bold. The Sony NEX-5 is most certainly bold. Smallest among the new line's competition, the Sony NEX-5 is also light. Its magnesium-alloy body weighs just By comparison, the Panasonic G2 weighs Much like sports car designs emphasize their command of the road by contrasting their low profile bodies with large, fully exposed wheels, the Sony NEX Sony NEX-5R Digital Camera SEL30M35V2D Lens shows its command of light by contrasting its small digital camera body with a large, burnished gunmetal lens the mm is shown here.

That's more true with the NEX-5 than the NEX-3, whose very mount size exceeds the camera body's height click on image at right for a larger sample. Lower left of the lens in these shots is the lens release button, and upper left is the AF-assist and self-timer lamp. Just below the shutter button, you can also see an infrared remote control port.


From the top of the Sony NEX-5 you see the stereo microphones, rather obviously marked L and R, and the three holes for the speaker. Between the two mics is the accessory flap, smaller than the one on the NEX-3, which you lift up and back, pivoting on its rubber hinge, to access the small accessory port. So Sony NEX-5R Digital Camera SEL30M35V2D Lens, the port accepts the included accessory flash and the optional accessory microphone; for now we haven't heard of any plans for an accessory EVF, though Sony plans to release an optical viewfinder accessory with a 16mm field of view. Click the image for a larger view.


Here you can see the dramatic size of Sony NEX-5R Digital Camera SEL30M35V2D Lens mm compared to the camera body, made more dramatic by the included lens hood. The 16mm lens will also accept a wide-angle adapter and a fisheye adapter, which mount on the bayonet located on the inset plastic barrel that holds the actual lens elements. The large rear-accessed power switch is separate from the shutter button, which places the shutter button in a better position out on the grip, while the two are integrated on the NEX The Sony NEX-5's grip is much thicker front to back, with a deeper angle for the fingers to get a hold.

This is an in-depth review of the Sony NEX-5R mirrorless camera that came out on One of the most important attributes in a digital camera is its sensor – the size requirements of both lenses and the lens mount (read more on this below). «.Missing: SEL30M35V2D.

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