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The EVF is a good substitute for the screen, an improvement on its predecessor and better than what the competition has to offer, though it still falls short of the experience provided by an optical viewfinder or the best EVFs found on more expensive mirroless camera.

There are two modes, Continuous and Shooting only, both with an additional Motion option that sets a higher shutter speed if subject motion is detected in the frame. Pairs of diagonally-aligned pixels on the sensor can then be reconfigured to enhance the resolution or dynamic range, or reduce noise. Likewise the Auto position on the mode dial Fujifilm FinePix HS30EXR Camera what it says with no special features. The SP1 and SP2 positions are home to a variety of scene modes which are selected by pressing the menu button and four-way controller.

The same options appear on the menu whether the SP1 or SP2 position is set, the two positions simply allow you to have two scene modes readily accessible. I would have thought that advanced photographers would prefer to use manual or Program Auto exposure modes and make their own decisions and newbies would be happy to leave it to the camera rather than scroll through a long list of scene modes. Having said that, it could be useful to have, say night Night Tripodsunset, or one of the other more useful scene modes assigned to Fujifilm FinePix HS30EXR Camera mode dial.

Fujifilm FinePix HS30EXR: Digital Photography Review

It has four options all of which use multiple exposures to create effects. Pro Focus takes a series of up to three images and combines them to produce a shallow depth of field effect. This is an interesting extension of the shallow depth of field options offered on Fujifilm FinePix HS30EXR Camera compacts that goes further than merely providing accessible controls for setting a wide aperture.

Multiple Exposure is a double exposure feature which allows you to superimpose two shots in a single frame. The first shot is displayed in the viewfinder with the next scene overlayed so you can create your composition. This kind of thing is easy to achieve in image editing software, but then so are a lot of other features that are becoming increasingly popular as in-camera effects, so why not? Shutter 3D creates a 3D image from two shots taken a slightly different angles. As with the double exposure mode, the first shot is shown on Fujifilm FinePix HS30EXR Camera so you can frame the second one accurately. The mode dial has a C position which can be used to store a custom setup, followed by Panorama mode.

Getting a full requires a degree of practice and the right subject — nothing too near to the camera and a reasonably level pan. Panoramas can be shot either clockwise or counter-clockwise with the camera in landscape or portrait orientation and the maximum image size is x pixels.


With the mode dial in the EXR position four options are available from the menu. It differentiates 27 scene types broadly categorized into those with and without people, landscapes, backlit, night shots, and those containing sky, greenery and sunsets. Although far from infallible - if you're not paying close attention and it's presented with a busy scene it will call up landscape when macro is needed and vice versa — it instantly makes the HS30EXR more beginner friendly, instantly recognising 10 basic scenes and then applying one of the three other EXR modes too. There's a choice between shooting at full 16 megapixel resolution in High Resolution HR mode, or an 8 megapixel image in the Low Noise SN mode for shooting without flash in low light conditions, or the Dynamic Range DR mode to achieve an optimal balance between shadows and highlights.

If you can't decide which is best for a chosen scene or subject, then just leave the camera on the scene-detecting EXR Automatic Mode and Fujifilm FinePix HS30EXR Camera it choose for itself.

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Next is the rather misleadingly named Advanced mode, which actually has four options that are well suited to all experience levels. The Pro Fujifilm FinePix HS30EXR Camera mode makes it easier to achieve a blurred background, perfect for portraits where compact digicams traditionally struggle, with three strengths of blurring on offer. The final shooting mode is the Panorama option, clearly inspired by Sony's popular Sweep Panorama function. This lets you capture aor degree panoramic image very easily without the use of a tripod. All you need to decide is whether you would like to start from left or right, top or bottom, then press and hold down the shutter release while doing a "sweep" with the camera in hand.

Exposure compensation is available before you start the sweep, with Fujifilm FinePix HS30EXR Camera exposure fixed once you depress the shutter button. After you are done with the sweeping, the camera does all the processing required, and presents you with a finished panoramic image. You can see examples of all four Advanced shooting modes on the Image Quality page. Although undoubtedly fun, there are a few catches.

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The final panorama is of relatively low resolution, and if you do the sweeping too slowly, or you let go of the shutter release button too early, the panorama will be truncated. If the exposure varies throughout the scene, then some areas will be over or under exposed, depending upon the exposure value that was chosen as the panorama was started. Finally, people and indeed anything that moves in the frame are Fujifilm FinePix HS30EXR Camera as several ghost outlines, which means that you can really only record static, empty scenes, something that Sony have solved in the latest iteration of their Sweep Panorama feature. Tilting LCD Screen Side To the right of the shooting mode dial is a smaller command dial with a positive clicking action which is used for scrolling through features and captured images, and will feel immediately intuitive to anyone who has handled a DSLR before.

Fujifilm FinePix HS30EXR

The same dial is also used to change the aperture and shutter speed when using the more advanced shooting modes. In the Manual mode, you hold the Exposure Compensation button down with your forefinger and give the dial a flick with your thumb to change the aperture, not as intuitive as having two separate command dials but perhaps understandable given the HS30's target audience. Otherwise the exposure compensation button works largely as you'd expect, with a visual slider graph on screen accompanied by a live histogram. Pressing this button brings up four options - Off, Top 4, Best Frame Capture and three different kinds of bracketing exposure, film simulation mode and dynamic range. Choosing Top 4 allows you to take Fujifilm FinePix HS30EXR Camera full-resolution photos at 8 frames per second, which is faster than most compact cameras and indeed most DSLRs too. The only fly in the ointment are that only 4 out of the 8 are actually saved to the memory card.

Choosing Best Fujifilm FinePix HS30EXR Camera Capture shoots at 11fps at 8 megapixel resolution from the moment that you focus and then saves up to 16 images including pre-recorded frames. Once the burst is completed, it now takes just over two seconds for the camera to clear the buffer, during which you cannot take another picture, a massive improvement on the HS20EXR. There is also another continuous shooting speeds where the Fujifilm HS30EXR shoots at a faster speed 11fps at at 4 megapixel resolution for up to 32 frames. Flick this to On, and the rear LCD or electronic viewfinder — depending on which one you previously had selected — blinks into life, a process taking around two seconds, which for once is not quite as good as most DSLRs. FinePix HS30EXR / HS33EXR (Discontinued Model) (Design rule for Camera File system compliant / DPOF-compatible). movie. H (MOV).

Number of  Image stabilizer‎: ‎CMOS shift type. By using 3 high-performance aspherical lenses, the FinePix HS30EXR delivers sharp image quality with rich resolution. By preventing color fringing and reducing contrast, the FinePix HS30EXR lens captures images with superb accuracy across the zoom range from wide angle to telephoto.


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